​Rapid iteration of geometries resulted in a finalized design that would ensure compliance with P.51.

IAR is thrilled to introduce a significant enhancement to our prototyping capabilities: the Form 4 SLA Printer. This cutting-edge technology vastly improves our ability to swiftly address detailed acoustic queries such as "what happens when I change XYZ...?"

​IAR has prototyped plastic parts using a Fused Deposition Method (FDM) printer (Prusa), supplemented by a large-format resin printer (Peopoly L) added three years ago. While FDM remains ideal for economical and rapid fixturing solutions, its melted plastic lines and occasional air gaps between layers act acoustically like a highly resistive porous wall, necessitating epoxy coating of thin enclosure walls for transducer applications—a labor-intensive process.

The use of non-occluding off-ear audio speakers has significantly increased in recent years, driven by the growth of Augmented Reality (AR), Virtual Reality (VR), and smart glasses assistant products. These devices contribute to the existing array of products with off-ear audio, such as sport earphones, hearing assistants (hearables), and open ear  headphones.

There are several advantages to open ear audio systems. In terms of comfort, the ear pinna and tragus are highly sensitive, making it beneficial to leave them untouched for long-term product wearability. An open design also eliminates concerns about thermal buildup. Furthermore, the acoustic waves of the sound source to naturally diffract around a user's ear which has benefits for perceived spaciousness (stereo image/ERTF) and sound source localization, contributing to the advancement of AR/VR scene realism.

However, a major audio issue with these devices is usually limited bandwidth. Traditional headphone designs require a seal to the ear to reproduce low frequencies with a small driver. Conversely, sealed box microspeaker designs such as those found in laptops and cell phones need a large speaker diaphragm or displacement (volume velocity) and back air volume to produce both low frequencies and the required output level. Such a large and heavy implementation is not typically possible on head-worn products. High frequencies are also often compromised by porting designs and diaphragm break-up modes. This article demonstrates a method of open ear speaker design known as the Dipole design, which utilizes the proximity effect to enhance low-frequency output and increase privacy (the ability of others nearby to hear the wearer's audio). One potential tradeoff, among many possibilities, is illustrated when implementing the dipole effect stretched excessively, impacting high-frequency response.

A commercially available smart glasses product has two ports for the speaker in the stem near the ear:

Whether you’re in a teleconference, a live music setting, or simply working in an office, noise and room reverberation time can affect your ability to pleasurably listen.  With our new Noise Files Comparison Tool, you can hear and easily compare different kinds of noise to aid in self diagnosing issues quickly and efficiently.  For example, you can toggle between 60Hz, Bluetooth, GSM, and Wi-Fi noise interferences to help find the source of unwanted sounds.  Also included are different types of broadband and background noise such as pink noise, white noise, city traffic, and a crowded pub.
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Additionally, recordings of the in-house Head and Torso Simulator (HATS) playing back an IEEE standard speech file were taken in an anechoic chamber, an acoustically treated room, and a highly reverberant non-acoustically treated room. These can be compared to highlight the impact partial and full acoustic treatment has on speech intelligibility.  

We can also use this tool to create custom recordings of your product in different noise conditions, tuning configurations, or other impairments- for subjective evaluation without a trip to our lab. For dB-accurate reproduction we ship you a DAC and Reference Headphones with Comparison Tool files corrected for both the headphone response and binaural HATS Head Related Transfer Function (HRTF).
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By: Shannon McConnell

Indy Acoustic Research collaborated with Listen, Inc. to bring the data behind the article "How to Measure Free-Field Speaker Response without an Anechoic Chamber" featured in the March 2021 Voice Coil article, linked below!

The hybrid splice method of loudspeaker frequency response measurement compares well with an anechoic chamber for a single loudspeaker if the splice frequency can be determined. However, complex devices require the greater flexibility in setup conditions and off-angle measurements afforded by a full chamber. 

To speed iterative prototyping and fixture creation for some assemblies and housings, IAR has brought reliable and low-cost FDM prototyping in-house. Common items we print include speaker baffle adapters, customer housing mockups for probe microphone measurements, or other fixtures to support device assembly or measurements. Maximum print size on this device is approximately 9 x 8 x 8 inches. High-resolution SLA and smaller assemblies will continue to be sourced from a handful of Indianapolis-based prototyping shops.

 Many far-field voice devices employ beamforming microphone arrays to improve speech recognition and communication performance. However, often the simulation of the acoustic wave during DSP design only includes phase differences due to array spacing and neglects more complex geometry such as element porting, enclosures, tables or walls.  These objects cause diffraction and reflections of the incoming acoustic wave around the sensor can lead to errors in beamforming and direction-of-arrival algorithms. IAR can use Comsol Multiphysics or Lumped Element Simulation (depending upon the complexity of geometry, frequency range of interest and available time) to provide simulated complex acoustic pressure “vectors” to DSP designers to improve the performance of the array including geometric features, prior to any prototype production or PCB fabrication.

By: Marc Reese and Larry Marcus
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Indy Acoustic Research celebrates its first year! 

A lot of effort has gone this year into building our lab's capabilities to ensure we can support our customer's needs and timing. Below are some pictures of some of our activities in the past few months.

by: Larry Marcus

Built in 1984, the IAR Anechoic Chamber is like me: it’s old but it still works. It has a cutoff frequency of about 120Hz and is about 3 meters by 3.7 meters by 2.6 meters tip-to-tip.  Compare the photo here with the more recent one below in this blog series with the four intrepid IAR founders!

Significant products developed and studies conducted in our anechoic chamber include many IEEE and TIA standards contributions, the first gradient microphones with speakerphones, first extensive ISDN and VoIP testing, first mechanical-acoustical analysis of conference phones, etc., not to mention days upon days of other transducer development and product testing.